All Articles

  • Letters to Editor

More Online Dance Learning: A Letter from Stephan Koplowitz

Photo: Bill Hebert
  • Interviews

The Simplicity of X: BalletX and Organizational Sustainability

Eleanor Goudie-Averill

Along with its strong repertoire and artistry, BalletX is managing to find financial and commercial success.How do they do i?

Photo: Myra Bazell
  • .

Cool Dancing in Warm Spaces

Lisa Bardarson

Myra Bazell and Jane Gotch reunite after fifteen years in The Iron Factory's June Presenting Series.

Photo: @DanceNYC
  • Reviews

Report from the Dance/USA Conference, Minneapolis

Ellen Chenoweth

I approached the conference the same way you might anticipate seeing a charming but volatile ex.

Photo: Anna Drozdowski
  • News

Dance Critic/Poets

Becca Weber

Why do we write dance criticism journalistically?

  • Public Square

P.S. 39: Artistic Sustainability

Photo: Helio Ha
  • Interviews

Tango Reunion

Carolyn Merritt

Reflections on the 4th Philadelphia International Tango Festival.

Photo: Marlon Barrios Solano
  • Interviews

Marlon Barrios Solano: Drawn to the Screen

Lisa Kraus

Solano, a Venezuelan artist and researcher, creates projects using online tools to discover new experiences of embodiment.

Photo: Bundesarchive
  • Interviews

Riffing on Shenanigans

Germaine Ingram

Guest contributor Ingram continues to chew on lingering questions that arose during the rich process of working with David Gordon.

Photo: Robert J. Randall
  • Reviews

How Do You Frame a Well-Made Dance?

Annie Wilson

Barr's piece could very well be about the laundry pile that never diminishes...the breath that insists on being taken every couple seconds without fail.