All Articles

Lynn Matluck Brooks

These two powerful, petite women dance face to face, side by side, back to back, and, at times, as one another’s shadows.

Ellen Chenoweth

Three moments during Scratch Night stood out in their intensity or departure from predictable performance customs.

Patricia Graham

Patricia Graham chats with Ballet Hispanico Artistic Director Eduardo Vilaro.

Becca Weber

The energy involved in being on view at Dance in Public Places became a part of the rehearsal process.

Annie Wilson

Critic Brian Schaefer goads thINKingDANCE, and all dance writers, to change it up, look into pop culture and try new forms.

Lisa Bardarson

"I heard subtleties in the footwork that shoes would have obscured making this piece more about listening and less about sound."

Libby Rush

The invisible wall between viewer and performer is broken; the viewer given an active voice.

Jonathan Stein

Liz Gerring talks to thINKingDANCE before her company's first Philadelphia area performance of glacier.

Kalila Kingsford Smith

Perfect confection for the lover's holiday, performed with love in the mind and body--coy, seductive and intimately close.