All Articles
- Reviews
"I heard subtleties in the footwork that shoes would have obscured making this piece more about listening and less about sound."
- Reviews
The invisible wall between viewer and performer is broken; the viewer given an active voice.
- Interviews
Liz Gerring talks to thINKingDANCE before her company's first Philadelphia area performance of glacier.
- Reviews
Perfect confection for the lover's holiday, performed with love in the mind and body--coy, seductive and intimately close.
- Reviews
TD writers are polled for quick takes on Group Motion’s performance of "THEN" by Susan Rethorst.
- Reviews
The dancing of the Antonio Gades Company punctuates Opera Philadelphia's "Ainadamar" with dynamic range.
- Reviews
Luna had a way of making the showy encounters with objects approach poetry, particularly in “The Grid,” a solo with what appeared to be a discarded window frame...
- Reviews
We live in a world that is both our living room and our soapbox. These two works--Allege and Singer/Songwriter--engage in the constant conversation between public and private.
- Reviews
It stands to reason that pairing grandmothers and creative types would result in a match made in heaven.