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Photo: Kelsey Halliday Johnson

Dear Miguel

Patricia Graham

Thank you for tackling the big stuff, for giving us an angst-filled rant loaded with conflict, for taking us into the darker sides of our psyches.

Photo: Ballez's "Firebird"

At AUX, “Subject Worthy”

Patricia Graham

Insights that emerged from a series curated by Marissa Perel where most of the work was by artists who are queer.

Photo: Paula Court

Masterful Movements

Eleanor Goudie-Averill

This is a dance that knows where it comes from. This is dance you can trust. With Bleed,Tere O'Connor may just have created a masterpiece.

They DANCE!

Carolyn Merritt

An hour and a half of “balls to the wall” dancing rooted in African American, contemporary ballet, and modern influences.

Photo: Zornitsa Stoyanova

We Were There

Lynn Matluck Brooks

PDP hosts an informed look at Susan Rethorst's new work with the dancers of Group Motion.

Photo: Lisa Kraus

Monks are Funny Too

Carolyn Merritt

How long will any of this stick with most? As long as the prayer beads, flags, books and other Tibetan memorabilia are available for sale?

Photo: Lisa Kraus

Post-Paris Post

Lisa Kraus

A month after her return, Lisa wraps up her adventure with reflections and photos.

Photo: Eric McNatt

Context within the content: A zen dilemma? Or a writer’s responsibility?

Nicole Bindler

Miguel Gutierrez joined thINKingDANCE for a talk about his relationship to writing. He spoke about his development as an artist and how his writing practice has played a role in that journey.

Photo: Kathryn Raines

Levity and Loneliness

Nicole Bindler

"Onliest," created by Curt Haworth, is a site-specific work that enmeshes itself in the Mount Vernon Dance Space.

Photo: Matthew Murphy

Love and Showbiz at Keigwin + Co.

Kalila Kingsford Smith

Keigwin's narratives could be read at face value, interpreted and enjoyed in the moment. It was showbiz—well executed, popular and easy on the eyes.