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Photo: Bill Hebert

Episodes of Junk

Lynn Matluck Brooks

Luna had a way of making the showy encounters with objects approach poetry, particularly in “The Grid,” a solo with what appeared to be a discarded window frame...

Photo: Dieter Hartwig

Public in Private vs. Private in Public

Eleanor Goudie-Averill

We live in a world that is both our living room and our soapbox. These two works--Allege and Singer/Songwriter--engage in the constant conversation between public and private.

So, Grandma Sets You Up on a Blind Date…

Becca Weber

It stands to reason that pairing grandmothers and creative types would result in a match made in heaven.

Photo: Julieanne Harris

Duets Galore in a Hardware Store

Kalila Kingsford Smith

Asking the question, "How do I change when I dance and work with different people?"

Photo: Lisa Kraus

APAP Diary – Gorging on Performance at Arts Presenters

Lisa Kraus

A day by day account of one presenter's performance pig out at the annual conference.

Dancing with Yoga

Lisa Bardarson

As a retired dancer it is exhilarating to cultivate a practice offering the possibility of expanding not just the body but the mind as well.

Photo: Nathea Lee

Tap Is the Means — An Interview with Germaine Ingram

Lynn Matluck Brooks

Philadelphia tap dancer, choreographer, performance artist and bearer of the city’s tap dance legacy, speaks with TD about her work and philosophy.

Photo: Gregory Batardon

The Art of Being Human

Whitney Weinstein

Les Ballets Jazz de Montréal exceeds physical expectations. Each of the four works presented, all Philly premieres, were executed meticulously, with incredible fluidity and flexibility.

Photo: Alexander Iziliaev

Careers In the Dance Biz: From College to the “Real World”

Kalila Kingsford Smith

Kalila Kingsford Smith interviews Sara Nye, performer with Real Live People (In) Motion and Program Associate of Enchantment Theatre Company.

Photo: JJ Tizou

ELEANOR! Is Us

Jonathan Stein

Eleanor Bauer surveys and bonds with her audience. She also fits in a chat with Jonathan Stein.