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Deborah Jowitt Workshop: The Renowned Dance Writer Visits With thINKing DANCE

Julie Diana

“[Dance criticism] is a secondary art,” Deborah Jowitt says. “It’s a transparency through which to show a personal impression of something else.”

Photo by Christopher Duggan

The Importance of a Witness: Faye Driscoll “Informs” Philadelphia

Debbie Shapiro

Faye Driscoll's recent informance delivered a multi-dimensional view of her identity as an artist.

Photo: Bill Hebert

Balloons and Flowers for Spiel Uhr

Peter Price

Group Motion Company’s 'Spiel Uhr' series has been running continuously since the 1980’s

Leah Stein Dance Company: Portraits

Anna Drozdowski
Photo: Lois Greenfield

Leah Stein—Thoughts From The Field

Anna Drozdowski

In this instance I’ve decided to play the role of miner; trusting that the many angles offered up will unearth aspects of this multifaceted gem.

Photo: Jacques-Jean Tiziou

Flamenco, Now

Lynn Matluck Brooks

Lynn Matluck Brooks interviews Elba Hevia y Vaca, Artistic Director and Founder of Pasión y Arte Flamenco.

Photo: Maria Anguera de Sojo

The Architecture of the Asshole

Megan Bridge

Jasperse’s gorgeous, commanding, leggy cast of four led us on a journey which laid bare assumptions about gender.

Open Rehearsal: An Intimate Glimpse at John Jasperse’s “Fort Blossom”

Julie Diana

Spontaneous,engaging moments leave the viewer hungry for more and grateful that the artists have exposed their more personal selves.

Photo: Maria Anguera de Sojo

Flotation Devices and Other Sex Toys

Kirsten Kaschock

Disassociation provides pleasure--the vague elation of untethering nudity from sexuality... But new freedoms bring their own anxieties.

PS #12: Dancing Naked