All Articles

Photo: Pete Checchia

Koresh Scores: Twenty Years and Counting

Kirsten Kaschock

Providing work for dancers is grounds enough for a standing ovation, but Koresh XX Years offered other reasons to applaud.

PS #5: “Review”

Letters from Rev. Ken Metzner, TD and Helen Faller

Correspondence about Peter Price's review of "Two Hands."

Photo: AP

My Drama with Dance Competitions

Kilian Kröll

Our correspondent reports why you'll see him in the front row at the Annenberg for Champions of Dance.

Susanna Pham

Striking a CORD – the Philadelphia Conference

Ellen Gerdes

I’m often asked in apparent disbelief: “Do people actually research dance?”

Photo by Alexander Iziliaev

What Makes Ballet Contemporary?

Annie Wilson

The opening night of BalletX's Fall Series 2011 provoked curiosity in me about what defines a ballet as contemporary.

Photo: Monica Lyons Jones

Many Feet, One Step: Kùlú Mèlé Leads a Journey

R. Eric Thomas

An evening of dance that dazzled, astounded and—above all—emphasized the enduring power of community.

Photo: Alex Escalante

Seen & Heard: The Remix

Beau Hancock

A picture of Seen & Heard that moves beyond the impressions generated by the four authors whose words are reconfigured here, to a thickly textured remembrance.

Photo: Jeff Busby

Pulling Strings: Chunky Move’s Connected

Lynn Matluck Brooks

A light-filled mobile, electronic music, patches of light, and five performers who dance, speak, act, and finish the mobile’s assemblage – all weave integrally into the work’s fabric.