All Articles
- Reviews
Darcy Grabenstein
Finding hope in the aftermath of a massacre.
- Reviews
Courtney Henry
The nuanced percussion raised the stakes from previous versions of Carmen, yet execution fell short.
- Reviews
Darcy Grabenstein
Their stories are moving. Literally.
- Reviews
Shayla-Vie Jenkins
Blackness complicates; it can never be separated from the person or their work.
- Reviews
Rhonda Moore
The entire cast jockeys between individual and collective truths.
- Reviews
Amy Schofield
PROTOTYPE helps us remember the pleasure in slowness, the vulnerability in trust, and the fearlessness in experimentation.
- Reviews
Caitlin Green
If soundwaves were visible, it would have looked like a tornado in there.
- Reviews
Ellen Miller
In "flooding is what they call it," a loud call compels us to reflect.
- Reviews
Caitlin Green
Their dance alters between roughhousing and romance.
- Reviews
Caitlin Green
While pleasant feelings surface, I am reminded of the façade of joy as a necessity to survival