All Articles

Photo: David Cimetta
  • Reviews

Trump is Speared and Smeared as Ubu Roi

Jonathan Stein

A wildly physical Theater of the Absurd that revels in the scatological and the hyperbolic.

Photo: Maurice Jones
  • Reviews

Traversing The Edge

Amelia Rose Estrada

Dance, spoken word, acrobatics, and sound reveal the pain, melancholy, and humor of witnessing and experiencing illness.

Photo: Kien Quan
  • .

Fringe Festival Picks: Independently Produced Dance

Kat J. Sullivan

Philadelphia’s independent dance artists deserve some love.

Photo: Katie Vason
  • Reviews

The People Have Spoken: A Day of Compositional Improvisation in NYC

Kat J. Sullivan

Assumptions can be so juicy.

Photo: Documentation and Research Center of Leftist Cultures
  • .

Rise Up, Speak Out, Heal

Amelia Rose Estrada

A Review of Moving Otherwise: Dance, Violence, and Memory in Buenos Aires.

Photo: Kyle Cassidy
  • Reviews

The Community’s King Lear

Barbora Příhodová

The audience at Clark Park went all the way with the old King, to the tragic end.

Photo: Johanna Austin
  • Reviews

An Electrifying Choreopoem from Moor Mother

Mira Treatman

The cast returns for bows. Ayewa is beaming. They went to war, they have their drums.

Photo: Louis Kang and Asian Arts Initiative
  • Reviews

Open Invitation At Asian Arts Initiative

Maddie Hopfield

When Cat announces that time is up and the piece is over, we scoot our chairs in further, hungry to keep the conversation goi

Photo: Tori Lawrence
  • .

Dancing the Blue Road: Reflections on our Subcircle Farm Residency

Eleanor Goudie-Averill

Throwing the dancer into the unexpected, to routes in the body that haven’t been traveled.

Photo: Mark Garvin
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The Lotus in the Mud

Kat J. Sullivan

Morisseau, a Tony Award nominee and MacArthur Genius Grant Fellow, writes with poetic clarity.