All Articles

Photo: Anne Van Aerschot
  • Reviews

It’s Not Just a Phase

Miryam Coppersmith

Though I have seen this dance on film before, my mouth still drops open.

Photo: Sam Post Creative
  • Reviews

Lessons in Child’s Play

Carolyn Merritt

To see children play is to understand the balance between structure and whimsy.

Photo: Kate Raines
  • Reviews

The Dark Side of Heartbreak

Whitney Weinstein

Warned of extreme gore, I also discover in BASEMENT a man struggling to cope with a deeply complex love story.

Photo: Brian Mengini
  • .

Dance, But Make It “Trashion”

Kat J. Sullivan

“Dumpster Dance”: The evening only got weirder.

Photo: Frankie Rowles
  • .

Gay Mis: A Revolution for the Random

Whitney Weinstein

The ensemble marched in time to “Do you hear my cell phone ring?”

Photo: Terry Brennan
  • Reviews

Nothing is Certain, Except Death and Hoagies

Mira Treatman

“Let's turn this suck into a success.”

Photo: Annie Wilson
  • Reviews

Keening Humans and Instructions from Creatures

Janna Meiring

Ruminating on the depth and color of human and creatures' experience.

Photo: Johanna Austin
  • Reviews

Looking Back in Pain and Hope

“Come Back, Little Sheba” is realistic, sad, funny, and beautifully situated in the Bethany Mission Gallery.

Photo: Johanna Austin
  • Reviews

Peeking into the Personal

Sneakers grapples with loss on several levels, interweaving personal grief and the objectification of art.

Photo: Steve Rogers
  • Reviews

Draw Me In

Miryam Coppersmith

This play between 2D and 3D creates delight throughout the show.