All Articles

Photo: Whitney Browne

Full-Body Percussion Beneath the Library

Maddie Hopfield

If Soul Steps’ goal was full-bodied audience education, I consider the task accomplished.

Photo: Natasha Cohen-Carroll

My Hips (and my Postcolonialism) Don’t Lie

Mira Treatman

It’s not a yoga blanket, it’s a serape!

Photo: Sophie Bufton

Curating as Caring– Curating for Live Arts Contribution

Barbora Příhodová

Authors envision curating as based on the ethics of care, and a call for 'democratizing curation'

Photo: Keira Heu-Jwyn Chang

It Takes Two

Carolyn Merritt

Sin Salida posits dance as a metaphorical map for human relations

Photo: Alexander Iziliaev

Of Stravinsky and Men

Mira Treatman

They bowed together as choreographer and muse but undoubtedly without the violence.

Photo: Dave Cimetta

Taking the Ride: An Interview with Dawn Marie Bazemore

Amelia Rose Estrada

"My connection to each work that I have made is deeply personal."

Photo: Anthony Werhun

Catch This

Amelia Rose Estrada

Director Nataki Garrett’s vision strikingly translates this well-written script into an engaging work of art.

Photo: Gustavo Garcia

Martha Graham Cracker Bids Farewell

Maddie Hopfield

“Goodbye, my friends, goodbye.”

Photo: Johanna Austin

A Song, a Dance, and a Coat Hanger

Mira Treatman

The theatre a uterus, the actors fetuses.

Photo: Stephanie DeFeo

A Family Circus

Carolyn Merritt

The dancers give their all, and they clearly enjoy themselves.