.

Photo: Plate3.com

Sports, Monsters, and the Unprecedented Event

Julius Ferraro

The beings in O Monsters may or may not be human. They function according to rules and laws that I’m not sure we fully grasp.

Photo: Hallie Martenson

What Did I Just See? Show No Show as Meta-Performance

Karl Surkan

“The answer is: You will die, and all will end,” Revlock continues. “You will die and know everything or cease asking.”

Photo: David McDuffie

The Evolution of Success

Whitney Weinstein

Xavier announces, “No thing can exist without nothing.”

Photo: K Chow Studios

Teasing Time With Precision: Nora Gibson’s Contemporary Ballet

Zornitsa Stoyanova

Time has cycled and morphed.

Photo: Dogface Studios

Rituals, Poetry and Performance: CA Conrad

Lauren Samblanet

Poetry deserves our full attention.

Photo: Ian Douglas

Looking the Elephant in the Eye: Jaamil Olawale Kosoko’s Black Male Revisited: Songs for the Dark Divine

Rhonda Moore

His intention: confronting and uncovering the perpetual and multi-faceted elephant in the room

Photo: Zornitsa Stoyanova

“In the end it comes down to community” – Gus Gscheidle and his 1fiftyone gallery + art space

Zornitsa Stoyanova

Gscheidle: I have fallen in love with the dance and theater community here.

Photo: Bill Hebert

Dancing Duets: Mixing Styles, Stories and Approaches

Megan Stern

The final duet leaves me thoroughly satisfied with the evening as a study of the duet form.

Photo: Alexander Iziliaev

What’s New: Pennsylvania Ballet’s “Strength and Longing”

Lynn Matluck Brooks

Setting this work on four PAB men set the bar high, and they met it.

Photo: Matthew Murphy

Elisa Monte Passes the Baton to Tiffany Rea-Fisher

Gregory King

Gregory King interviews Tiffany Rae-Fisher, the new artistic director of Elisa Monte Dance Company