.

Photo: Matthew Murphy

Elisa Monte Passes the Baton to Tiffany Rea-Fisher

Gregory King

Gregory King interviews Tiffany Rae-Fisher, the new artistic director of Elisa Monte Dance Company

Alvin Ailey American Dance Theater

Shadows, Light, and Inspiration

Roxanne Lyst

Upholding historical repertory while integrating contemporary works is what the Ailey Company does best.

Photo: Bill Hebert

Belonging at Home

Kalila Kingsford Smith

I am reminded that dance works more like poetry than like news.

Photo: Johanna Austin

The Requisite Movers: The Complexities of Black Consciousness

Gregory King

In a hinged position she dangled her arms—breathing as they swayed, living in their lifelessness.

Photo: Ian Douglas

The Color Of The Aged Queer is Pink

Gregory King

It felt personal.

Photo: Marc Van Borstel

Tharp and Race: Four Questions

Gregory King

Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.

Photo: Carlos Avendaño

A Funeral For Five Performances

Ellen Chenoweth

Hopkins asks: How is a performance like a person?

Photo: Bill Hebert

BalletX Brings Fonte’s Beasts Alive at the Wilma Theater

Gregory King

Felesina whittled through the space before washing the floors with her fluid, muscled body.

Photo: Tadashi Suzuki

“Making the Body Theater”: An Interview with Terzopoulos on Antigone

Jay Oatis

"Tragedy...it's not drama. You're naked on the stage, like dance."

Photo: Alexander Iziliaev

The City Breathes Together

Julius Ferraro

Terzopoulos’s Antigone begins at the point of exhaustion, with a populace worn to the nub by war.