A small selection of images from the most recent round of How Philly Moves photo shoots.
TD writers taking stock and thinking about the road ahead.
The legendary Merce Cunningham Dance Company as seen in its final shows.
Last weekend the writers of thINKingDANCE were privileged to workshop with Wendy Perron, editor-in-chief of Dance Magazine.
“Our responsibility is to support the field,” Wendy Perron declared to a small crowd of dance writers and community members.
I’m always curious what will happen when a singular performer makes work for a big troupe. Which qualities will s/he pass along?
A troupe of aliens arrives in our midst. They are muscular, flightless bird creatures, and the first thing they hear is Chopin.
Chouinard’s dancers threw themselves into the choreography and whipped through each phrase like demonic beasts. It’s just too bad Chouinard didn’t mix it up a bit.
Wearing black bathing suits and hair-dos that brought to mind tentacles or caterpillars, Chouinard’s ten dancers gasped, writhed, spoked, stamped, and slithered through the company’s impassioned performance.
A dance maker reflects on where reviews fit and the role of citizen critics.