Stein’s crew raise and reground curving mahogany pews. I see the work of establishing and resettling a congregation, cultural shifts in urban America.
Elegantly, we get tricked, again and again, and we love it in Geoff Sobelle's 'The Object Lesson'.
The real drama of "Pay Up" doesn't live inside the many rooms, it resides inside the audience choosing to spend their time and money while shuffling through the experience.
The directors interviewed their sound designer, asking her to tell her life story. Then they theatricalized it.
Issues of cultural stereotyping and the role of choreography within theater simmer to the surface.
The dances in this work are usually comical, but often athletic, embodied, earnest, and endearing, and sometimes all at once...
In Cavidad, Enza DePalma creates a fully-realized vision of an alternative reality, and the dancers' execution of the movement is the key to the world.
The evening felt full and cohesive--a series of works with an unarticulated longing for more.
From a nightmare of heartless civilization and oozy evolution into the sunshine of play.
Yes, yes it is, we say. As dance artists, critics, scholars, professors and enthusiasts, we wring our hands at the dying art form.