Reviews

Patricia Graham

Thank you for tackling the big stuff, for giving us an angst-filled rant loaded with conflict, for taking us into the darker sides of our psyches.

Patricia Graham

Insights that emerged from a series curated by Marissa Perel where most of the work was by artists who are queer.

Eleanor Goudie-Averill

This is a dance that knows where it comes from. This is dance you can trust. With Bleed,Tere O'Connor may just have created a masterpiece.

Carolyn Merritt

An hour and a half of “balls to the wall” dancing rooted in African American, contemporary ballet, and modern influences.

Nicole Bindler

"Onliest," created by Curt Haworth, is a site-specific work that enmeshes itself in the Mount Vernon Dance Space.

Kalila Kingsford Smith

Keigwin's narratives could be read at face value, interpreted and enjoyed in the moment. It was showbiz—well executed, popular and easy on the eyes.

Becca Weber

I get the sense of planets, orbiting the same sun but never meeting.

Jonathan Stein

This was not scenic glam but a gender slam, reinforcing the gender stereotypes of the evening’s prior works.

Lisa Bardarson

Each Ballet X dancer committed to the choreography with the precision of an elocutionist, every movement enunciated perfectly and laden with meaning.