Reviews
- Reviews
Oyster communicates at once the hard exterior of staged spectacle and the inner vulnerability of its performers.
- Reviews
I was peering into the window of a stranger’s bedroom from the outside. The world of Lesya Popil’s Uninvited Guest was mostly private, and exposed.
- Reviews
In his Poetics, Aristotle derided spectacle as the least important artistic aspect of a performance. RubberbanDance Group’s Gravity of Center shows that sometimes, spectacle’s all you’ve got.
- Reviews
A carefully calibrated explosion of grandiosity, Bauer’s solo is a study of opposing forces in collaboration.
- Reviews
The nEW Festival presented four new works by its 2012 resident choreographers. Ellen Gerdes and Kilian Kröll attended, between them, four performances. They each wrote about the pieces, then mashed their words together.
- Reviews
The first of two evenings of improvised dancing from Falls Bridge.
- Reviews
"Open House" at the Performance Garage showcased the strength and diversity of six young companies.
- Reviews
Kirsten Kaschock's enjoyable and multi-layered debut novel deserves multiple readings.
- Reviews
Art as homage is among the most purely driven forms, whether it be Bach’s musical devotion to his God, or Wim Wenders’ to Pina Bausch.
- Reviews
In this season of Nutcrackers, feuding Republicans, and holiday kitsch, the Annenberg’s Dance Celebration Series brought us “Champions of the Dance.”