In "Ciudad Evita," Silvana Cardell’s knack for crafting a story and the dancers’ commitment to their characters bring the images to life.
Even in tightly choreographed phrases, each "lady of RHPM" played with the choreography in her own way.
Philadelphia Dance Projects organized a retrospective of Leah Stein’s work, celebrating her eponymous troupe’s tenth anniversary.
Handel’s Messiah is big and divine. In trying to match its lofty heights, Weiss instead showed his own humanity.
Group Motion Company’s 'Spiel Uhr' series has been running continuously since the 1980’s
Disassociation provides pleasure--the vague elation of untethering nudity from sexuality... But new freedoms bring their own anxieties.
Coming from the nothing-is-too-weird-to-be-performed contemporary dance world, I went out on a limb by agreeing to write about "Pushing Boundaries: Forsythe and Neenan."
We can’t take our eyes off of this sweaty crew of risk-takers and are impressed by the dedication of their student counterparts.
Lindsay Browning filled her piece with rich and lovely components, but lacked a clear thread to link them.
Green Chair Dance Group's constant interaction with the audience served to include us in what otherwise could have been a very insular topic: the dancers’ relationships with one another.