Reviews

The image shows the dancer Eun Jung Choi in a green shirt and striped pants balancing on one leg with her other leg bent and raised. She is framed by an open doorway with the outdoor setting of the Arch Street Meeting House visible behind her, including a bench and brick wall, suggesting a serene environment for the dance.
Photo: Christopher Ash
  • Reviews

The Garden Flows in You

Ziying Cui

As a site-specific performance, The Garden: River's Edge’s participatory nature provides audience members with a meditative a

Two different performance photos split the image. On the right side, a person stands with their back to the camera facing a Taiko drum that they are playing on a stage next to a person dancing. They wear matching turquoise jumpsuits. There are more drums in the background. The image on the left shows a dancer with orange legwarmers standing in a second position lunge, holding cymbals with arms outstretched overhead. Another dancer in a blue leotard crouches in front of them.
Photo Courtesy of the Artist
  • Reviews

Sound Moves: an interchange of expertise in percussion and modern dance.

Caitlin Green

Sound Moves showcases a meeting ground for complimentary flavors of modern dance and percussion.

Bathed in purple light, Adam Kerbel leans to one side with arms spread, a gold fringe flying from his shoulders as if he just landed a jump. His face is hidden by shadow and a large brown fedora.
Photo: Liz Deleo
  • Reviews

I’m an Artist, but I’m Fun!

Miryam Coppersmith

Adam brings his creative force to bear on his own experiences in Dead Muse.

"entangled" - With the ocean in the background, we only see the back of a man wearing a dirty blue shirt, James Barrett. He is reaching his hands behind him to touch another man, Miguel Alejandro Castillo, who wears red shorts and his lying on his back.
Photo courtesy of Faye Driscoll
  • Reviews

The Mutability of Outdoor Performance: Driscoll’s Oceanic Feeling

Brendan McCall

Site-specific performance along the liminal edge

pink backlight, three dancers, left most has right arm up and left arm down, middle has both arms bent upward, right has bent left arm and straight right arm, all in purple polos, two white set pieces frame the image with black curved lines.
Photo: Thomas Choinacky
  • Reviews

i hold your towel just how you like it

desire amaiya

we are spectators in a typically unwatched game.

Two Dancers , clad in billowing materials, move amongst piles of dusty cinderblocks.
Photo: RAIR Residency
  • Reviews

transfiguration

desire amaiya

A trek through the unconscious.

Two faces, each isolated in their own pool of phone light, look down at their phone screens.
Photo courtesy of Cannonball Festival
  • Reviews

ding!

desire amaiya

we create a score through digital communication.

Hanschitz, a white woman wearing dark green pants and a flowy light green shirt, balances inside a human sized metal hoop, a Cyr wheel. Her arms and legs connect to the wheel in an X shape. The image is slightly blurry as if captured mid-motion.
Photo: Karen Cecilia
  • Reviews

Dance and Cirque Nouveau Crossing Countries

Karen Cecilia

Cirque, dance, and sound art encapsulate the journey of letting go.

A laptop sits open on a wooden table. On screen the description for the MoBBallet Dance Writers Convening is displayed. Next to the laptop on the table are an iced latte, a thINKingDANCE pen, and a thINKingDANCE business card.
Photo: Ellen Miller
  • Reviews

Envisioning a future of possibilities for dance writing

Ellen Miller

A convening of dance writers offers critical opportunities to reflect on bias, harm, and opportunity in the field.

Kayla Hamilton, a Black woman in a flowing black tunic, extends her arms directly in front of her, open hands reaching forward. She is facing stage right, with an open facial expression. Photo by Ahad Subzwari/The Shed.
Photo by Ahad Subzwari/The Shed.
  • Reviews

When you find it, pick it up

Rachel DeForrest Repinz

Kayla Hamilton’s How to Bend Down/How to Pick It Up ushers in an exciting new era.