Reviews

Photo: Jen Cleary
  • Reviews

The Embodied Blueprints, or How Time and Space Are Malleable If You Make Them

Kat J. Sullivan

It is a beautiful puzzle, the attempt to construct the architecture from the outside in.

Photo: Bill Hebert
  • Reviews

IlluminatedX

Kirsten Kaschock

One of the most profound reasons for making—to connect.

Photo: Graffito Works
  • Reviews

Giving Form to the Invisible: Graffito Works at PAFA

Kat J. Sullivan

To the invisible bodies: I will be your audience. You are not unwitnessed. You are not unloved.

Photo: Bicking Photography
  • Reviews

The Many Ventures of the Lady Hoofers

Whitney Weinstein

Lady Hoofers' constructive, propitious relationships in the theater and throughout Philadelphia emulates their passion for ta

Photo: Bill Hebert
  • Reviews

See Beau Run

Lynn Matluck Brooks

A night of short new works opens with a dance in outer space.

Photo: Bicking Photography
  • Reviews

A Night of Giving Change

Whitney Weinstein

These dancers harmonized a captivating mastery of power and durability with finesse and delicacy.

  • Reviews

Getting Up to Get Back Down

Andrew Sargus Klein

Ups and Downs is obsessed with audience experience—in expectation, in movement, in emphasis.

Photo: Carlos Avendaño
  • Reviews

SaltSoul, in Dialogue, Ripples Through habitus

Jonathan Stein

Jungwoong Kim’s site-specific dance animates and expands fabric installation

Photo: Bill Hebert
  • Reviews

Engaging Entanglements: Duende

Lynn Matluck Brooks

The through-line of the evening was clear: entanglement, sensitively enacted and explored among the musicians and dancers.

Photo: JJ Tiziou
  • Reviews

Levee des conflits: From the Inside Out

Ellen Chenoweth

Ellen Chenoweth and Beau Hancock casting back to Charmatz in the Fountain.