Reviews

Photo: Scotty Hardwig
  • Reviews

Moving Objects

Meredith Bove

Tzveta Kassabova’s double bill "From Somewhere" at Danceplace in this dispatch from D.C.

Photo: Bill Hebert
  • Reviews

The House of BJM

Kirsten Kaschock

But Ballets Jazz Montréal has their front door wide open. It beckons.

Photo: Milo Yeung
  • Reviews

Being in Lasso Belly

Jenna Horton

Jenna Horton waxes poetic about Christina Gesualdi's Lasso Belly.

Photo: Yi-Chen Wu
  • Reviews

O’Connor in The Kitchen

Rhonda Moore

Through gesture, posture, attitude, sound, and movement, the scene fills with clues that encourage all to connect the dots as

Photo: Shahar Azran
  • Reviews

The First Noel … And I Never Missed The Sugar Plum Fairy!

Gregory King

With no party scene or dancing snowflakes, The First Noel offers an alternative narrative to the fairytale of other Christmas

Image: cinemablend.com
  • Reviews

The Wiz as a Historical Document

Gregory King

How is The Wiz valued and how is it archived in the sphere of black popular culture?

Photo: Dan Comly
  • Reviews

The Creeping Threat of Time

Julius Ferraro

Our relationship with time, and empty time in particular, is more antagonistic than it has ever been.

Photo: Carly J Bales
  • Reviews

Blood, Smoke and Ballet: A Night With a Killer Swan

Andrew Sargus Klein

Dubbed a serial killer ballet, it is arch storytelling in someone's dark, winking headspace

Photo: Robert Smee
  • Reviews

Liberty Belle Anne & Her Nutt Crak-Up Crew

Sara Graybeal

The City Cheesesteak Guy stole the heart of Liberty Belle Anne with his geeky glasses and a five foot long cheesesteak in tow.

Photo: Peek-A-Boo
  • Reviews

Full-bodied and Sweet: A Toast to the Taunt

Whitney Weinstein

Strap on your belt and jump in the sleigh for what Peek-A-Boo has to give away.