Reviews

Photo: Kenneth Mucke
  • Reviews

Diavolo’s Architecture in Motion: Dance With Some Extras!

Gregory King

I will keep Diavolo on my list of must-see entertainment.

Photo: Steven Schreiber
  • Reviews

Seán Curran Company: A Well-Delivered Package of Post-Modernism

Gregory King

Representing nine religions the group performed Tai-Chi in an homage to integration.

Photo: Stephanie Berger
  • Reviews

An Astronauts’ Rapacious Night

Patricia Graham

Should one talk in couplets or algorithms about Claudio Monteverdi’s opera, L’Orfeo, choreographed and directed by Trisha Bro

Photo: Liz Lynch
  • Reviews

Shared Topographies, Individual Paths

Meredith Bove

At the American Dance Institute in DC, Jane Comfort’s new, untitled work-in-progress makes for glorious people-watching.

Photo: Denise Guerin
  • Reviews

Off the Wall Processions: Improvisation at PAFA

Jonathan Stein

Graffito Works’s dancers manifested Lewis’s merged abstraction and figuration, an elusive combination.

Photo: Terrell Halsey
  • Reviews

Whole: Without Any Parts Missing

Karl Surkan

Coaction Dance Collective presented work layering spoken word, storytelling, and problem solving.

Photo: Beatriz Schiller
  • Reviews

Taking Flight with Limón

Lynn Matluck Brooks

Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.

Photo: Eric Bandiero
  • Reviews

Elisa Monte Dance: To Another Thirty-Five Years!

Gregory King

The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.

Photo: Ian Douglas
  • Reviews

Archiving Occupation, Identity and Resistance

Nicole Bindler

Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.

Photo: Matthew Murphy
  • Reviews

Dance Theatre of Harlem: Still a Beacon of Hope!

Gregory King

There is no doubt in my mind that Dance Theatre of Harlem is back.