Reviews

Photo: Bill Hebert
  • Reviews

Snowflakes, Sequins and Pearls: A Night With The Lady Hoofers

Sara Graybeal

Their charm was awkward and impertinent.

Photo: Lindsay Browning
  • Reviews

It’s a Party in the USA

Jenna Horton

Milky Way comes into view softly and from the right.

Photo: Ian Douglas
  • Reviews

Performing the Self in Rage – The Life of an Artist

Zornitsa Stoyanova

They rage, rant, and even party in an attempt to process the harsh realities of the life we live.

Photo: Bill Hebert
  • Reviews

Spiel Uhr: En-Trance

Roxanne Lyst

Manfred Fischbeck described EN-TRANCE as an entry point into works in progress.

Photo: Scott Shaw
  • Reviews

Ordinary Beauty, Ecstatic Beauty

Rather than creating a hierarchy between transcendence and earthly presence, Pavel Zuštiak’s work gives equal weight to both.

Photo: Ian Douglas
  • Culturebot Partnership, Reviews

Jeanine Durning’s “inging” & “to being”

Published in collaboration with culturebot.org -- Rennie McDougall explains how "inging" is the word-equivalent of a Möbius strip.

Photo: Glenn Benge
  • Reviews

Disorientation

Julius Ferraro

Four short pieces, though they differ wildly in tone, form, humor, movement, and medium, use deliberately counterintuitive elements to evoke mystery, suspense, and even confusion.

Photo: Alexander Iziliaev
  • Reviews

Ballet Beasts: Animals All

Lynn Matluck Brooks

Our movement, our mating, our social veneer, and our violence barely sheathe our inner beastliness.

Photo: Constance Mensh
  • Reviews

He is Chris, Chris he is, and he is beautiful

Lisa Kraus

Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.

  • Culturebot Partnership, Reviews

Criticism For Theatre’s Sake

Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.