Four short pieces, though they differ wildly in tone, form, humor, movement, and medium, use deliberately counterintuitive elements to evoke mystery, suspense, and even confusion.
Our movement, our mating, our social veneer, and our violence barely sheathe our inner beastliness.
Christopher Knowles’ performance brings us into his world, one that’s precise, repetitive, forthright, fantastical, and perhaps obsessive.
Published in collaboration with culturebot.org -- an excerpt from Mark Fisher's 2015 book.
Los Angeles is infamous for its traffic. The evening of work that LA-based company BODYTRAFFIC presented at the Prince Theater felt congested.
Published in collaboration with culturebot.org, John Hoobyar writes about the expectation of bowing or not after the show.
The ridiculous and the sublime in Twyla Tharp: 50th Anniversary Tour and De Keersmaeker's Partita 2.
The early '70s pieces remain stridently current, thanks to the timeless quality of Brown’s work.
Tablao Philly--an experience of unbridled crescendo, a night that accelerated in vigor, skill, and intensity until the end.