Reviews

Carolyn Merritt

Gustavo and Giselle Anne Naveira's participation in the 5th Philadelphia International Tango Festival, from teaching to dancing.

Gregory King

William Forsythe in conversation on neo-classicism with Dr. Linda Caruso Haviland.

Lisa Kraus

An elegant sign language of mudras, like flutterings of rare birds. Bodies subtle, making the slightest weight shifts compelling.

Gregory King

Pilobolus Dance Theater defies categorization, standing at the intersection of dance, gymnastics, technology and theatre arts.

Megan Bridge

Presence isn’t about acting, or charisma, it’s about directed and specific consciousness.

Jean-Pierre Frohlich introduced Robbins’s work as more akin to a play than to a dance: "each character has a backstory."

Gregory King

Hip-hop dance,the electric boogie, up-rocking, b-boying, popping overlapped with a la seconde turns, glissades and rond de jambes.

Kirsten Kaschock

In the halves of Unveiled, the ethos of each of two choreographers was prominent and compelling.

Dancer Asimina Chremos and photographer/poet Ditta Baron Hoeber share improvisational space.

Jonathan Stein

The simple but powerful choreography brings to mind ballet’s court dance origins and connotations of rarified class and privilege.