Rather than performing as dancers or musicians, each cast member became a truly hybrid cross, moving and sounding at the same time throughout the piece.
What makes the InHale Performance Series a success is the nurturing community it offers to emerging and established artists.
Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.
The final installment of Ugly Numbers, a three-part investigation on gender inequity in contemporary American dance.
Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.
I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.
Read a re-cap of thINKingDANCE's Philadelphia Fringe Festival twitter reviews.
Puts the spotlight on the ritualistic nature of performance.
They are at a burlesque show called Lovertits. I am at an experimental dance-theater performance that critiques the male gaze called Lovertits.
Dancers scratch on the wood, tap it, rap it, and soon the audience joins into this gentle symphony.