Reviews

Photo: Andy Vernon-Jones

Loosely Bound Thunder

Ellen Chenoweth

Rather than performing as dancers or musicians, each cast member became a truly hybrid cross, moving and sounding at the same time throughout the piece.

Photo: Bill Hebert

Inhal(In)g Philadelphia!

Gregory King

What makes the InHale Performance Series a success is the nurturing community it offers to emerging and established artists.

Photo: Jean Luc Tanghe

Re: Rosas*

Rosas is a trial of endurance, sure, but like any great challenge with substance at its core, it rewards: you emerge changed.

Photo: Robin Barnes

Ugly Numbers Part III: The Dance Apocalypse

Nicole Bindler

The final installment of Ugly Numbers, a three-part investigation on gender inequity in contemporary American dance.

Photo: Anna Lee Campbell

Petals on a wet, black bough

Kirsten Kaschock

Eiko in performance — painted a near white, her slight frame and its minimal gestures sometimes unbearably sorrowful — does not appear to have the fortitude to take care of us. Still, I think she is doing just that.

Photo: Nancy Chen

I Could Barely Breathe

Lynn Matluck Brooks

I have never seen a site-specific work use a chosen space to better impact, or performers more committed to the world they create therein.

Photo: Becca Weber

Chirp Chirp

Ellen Chenoweth

Read a re-cap of thINKingDANCE's Philadelphia Fringe Festival twitter reviews.

Photo: Andrea Clearfield

#shamanicinterfaces: Creative Meditation

Kalila Kingsford Smith

Puts the spotlight on the ritualistic nature of performance.

Photo: Hope Davis

Meat

Nicole Bindler

They are at a burlesque show called Lovertits. I am at an experimental dance-theater performance that critiques the male gaze called Lovertits.

Photo: Lora Allen

Jungle Loops

Lynn Matluck Brooks

Dancers scratch on the wood, tap it, rap it, and soon the audience joins into this gentle symphony.