Reviews

Eleanor Goudie-Averill

This is a dance that knows where it comes from. This is dance you can trust. With Bleed,Tere O'Connor may just have created a masterpiece.

Carolyn Merritt

An hour and a half of “balls to the wall” dancing rooted in African American, contemporary ballet, and modern influences.

Nicole Bindler

"Onliest," created by Curt Haworth, is a site-specific work that enmeshes itself in the Mount Vernon Dance Space.

Kalila Kingsford Smith

Keigwin's narratives could be read at face value, interpreted and enjoyed in the moment. It was showbiz—well executed, popular and easy on the eyes.

Becca Weber

I get the sense of planets, orbiting the same sun but never meeting.

Jonathan Stein

This was not scenic glam but a gender slam, reinforcing the gender stereotypes of the evening’s prior works.

Lisa Bardarson

Each Ballet X dancer committed to the choreography with the precision of an elocutionist, every movement enunciated perfectly and laden with meaning.

Patricia Graham

fidget’s Fourth Annual Fall Experimental Music Festival asks questions about the sound/vision continuum.

Megan Bridge

Giving attention to the experience of an audience’s interface with work by three very different artists.