
The premier of El Muro/The Wall, by National Portrait Gallery choreographer-in-residence Dana

The premier of El Muro/The Wall, by National Portrait Gallery choreographer-in-residence Dana

As the pandemic continues to change the conditions for creating,

Judson Dance Theater’s ‘Unassuming Radicality’
The Judson Dance Theater’s place in history can be confused

My first impression of Gravity, a book of prose by Steve Paxton that


I approached The Sentient Archive: Bodies, Performance, and Memory, edited by




How are you alone? What brings you together?
In Relate, created by Matthew Williams and performed by Williams

Allies, icons, and inter-generational collaboration
Sculptor and performance artist Janine Antoni’s career retrospective at Philadelphia’s

I was able to write the following about Citizen Displaced because the

Narrow Scope, Big Energy: Baltimore Dance Invitational
The fifth iteration of the Baltimore Dance Invitational (BDI) presented

To create beauty, to record despair, to dance for each other
“Therefore self should be understood as a vessel open to



Ups and Downs, the brainchild of Baltimore performing duo Peter

Sharing and holding this space with you
Lights set at Light Cue #1 (warm celebratory wash) before

The Shape of Performance to Come
Halfway through Rememberer, right around another funky, polyrhythmic breakdown, my notes

Blood, Smoke and Ballet: A Night With a Killer Swan
The audience slowly files into EMP Collective, a multi-use arts
Andrew Sargus Klein is a queer poet, essayist, and critic living in Baltimore with his partner and their two cats. His work has appeared in the Kenyon Review, Hyperallergic, Nashville Review, The Offing, and elsewhere. He is a former staff writer with thINKingDANCE.