
The premier of El Muro/The Wall, by National Portrait Gallery choreographer-in-residence Dana
The premier of El Muro/The Wall, by National Portrait Gallery choreographer-in-residence Dana
As the pandemic continues to change the conditions for creating,
Judson Dance Theater’s ‘Unassuming Radicality’
The Judson Dance Theater’s place in history can be confused
My first impression of Gravity, a book of prose by Steve Paxton that
I approached The Sentient Archive: Bodies, Performance, and Memory, edited by
How are you alone? What brings you together?
In Relate, created by Matthew Williams and performed by Williams
Allies, icons, and inter-generational collaboration
Sculptor and performance artist Janine Antoni’s career retrospective at Philadelphia’s
I was able to write the following about Citizen Displaced because the
Narrow Scope, Big Energy: Baltimore Dance Invitational
The fifth iteration of the Baltimore Dance Invitational (BDI) presented
To create beauty, to record despair, to dance for each other
“Therefore self should be understood as a vessel open to
Ups and Downs, the brainchild of Baltimore performing duo Peter
Sharing and holding this space with you
Lights set at Light Cue #1 (warm celebratory wash) before
The Shape of Performance to Come
Halfway through Rememberer, right around another funky, polyrhythmic breakdown, my notes
Blood, Smoke and Ballet: A Night With a Killer Swan
The audience slowly files into EMP Collective, a multi-use arts
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Andrew Sargus Klein is a queer poet, essayist, and critic living in Baltimore with his partner and their two cats. His work has appeared in the Kenyon Review, Hyperallergic, Nashville Review, The Offing, and elsewhere. He is a former staff writer with thINKingDANCE.