Christ Church Neighborhood house

A black graphic with large blue lettering that spells NFRW/T across the center. The word overlays a yellow triangle with images of a bird, cat, and serpent with human figures layerd over them are placed at each corner of the triangle. The subtext reads “Neferu”, “Neferet”, “adj. Egyptian”, “good beautiful perfect”, “Ankole, a BIPOC, queer proud circus”, as well as subtext giving details of the production.
Image Courtesy of the Artist

Good, Beautiful, Perfect, Black, Indigenous, Queer

Caitlin Green

A sacred message well-received

Performer Daisie Cardona, dressed in a black long-sleeved top and black yoga pants with a blue and white patch on one leg, stands facing a building. Seen from behind, she holds the Honduran flag behind her. The flag pole rests on her shoulder.
Photo: Daisie Cardona

Earnest beauty

Ellen Miller

Daisie Cardona’s love letter to Kensington shines.

A white gay man lies on the floor, almost fully naked. A Black gay man dressed in a tropical dress with a hair scarf, sunglasses, and a floral bag stands next to them, extending their arms as if asking, “What’s the matter?”
Photo: Paule Turner and Dane Eissler

My Pussy Hurts Too

Anito Gavino

Crumpled tissues on the floor, half-emptied soda bottles, and a raggedy wig tossed on the floor tell stories.

Photo by Mochi Robinson. Courtesy of Intercultural Journeys.

It’s So Much Easier If You Dance a Little Bit

Ella-Gabriel Mason

Raja Feather Kelly and Yoland Wisher show us how to get free.

Photo: Jano Cohen

Casual Crackles: A Write Back Atcha

Megan Mizanty

A booming romp through your best friend’s playlist

Leave It To Me Photography

Sharp Dance Company: The Other Side is Looking Bright

Lauren Putty White

Grounded stomping of the feet, rib cage thrusts and pelvic distortions really displayed the body in a mesmerizing way and dre

Photo: Anthony Dean

Tyner and Timmons: Keeping the Jazz Legacy Alive

Lauren Putty White

This moment captured the meaning behind rhythm in Jazz: constance, lineage, and ongoing journey.

Photo: Daniel Kontz

Instant Appeal

Mira Treatman

Where she looked, we followed. In her stillness, she held our gaze.

Photo: Benjamin MacMaster

Close to Bodily Music

Lynn Matluck Brooks

We all grasped that we too could find these pitches within our chests, from our own lungs, through our very own breath.

Photo: Lora Allen

Infinite Unfolding

Kat J. Sullivan

(Are you there with me? Do you feel that?)