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FringeArts

ora chipaumire, a black woman with short hair and the creator of Dambudzo, is in the foreground wearing a black t-shirt and singing into a microphone with her eyes closed as another cast member sings into the background, amidst several audience members.
Photo: Jonathan Stein
  • Reviews

Chi Buku

E. Wallis Cain Carbonell

“We know all about you. You are here to know about us.”

Tables and chairs form a “U” shape to the left of the photos frame. One person with brown skin and glasses is visible through the negative space of two onlookers facing away from the camera. Bystanders stand or sit in the distance.
Photo: Miryam Coppersmith
  • Reviews, Write Back Atchas

Realness For the Patrons – Rennie Harris Beautiful Humans Lies: Chapter 4

Noel Price-Bracey

Waiting for the Rhythm and the Funk

A male presenting figure is laying , hogtied and topless on the black stage floor. Muscly, oiled, topless, bald white men strut past him in the space.
Photo: E. Wallis Cain Carbonell
  • Reviews

Variation on a Body-Slam

E. Wallis Cain Carbonell

There is a version of this where Bill Goldberg is the base of my desire.

Three performers dressed in single-color primary colored outfits (one blue, one red, one yellow) express surprise with open mouths. The performer in blue, Kevin Flanagan, grips the wrists of Sierra Rhoades Nicholls, dressed in red; he leans back while supporting her weight as she appears to levitate off the ground, her legs extended in front of her body six inches above the floor. Above her, Liam Bradley, dressed in yellow, pulls their legs up in a tuck jump, feet flexed and arms extended above their shoulders.
Photo: Johanna Austin
  • Reviews

Raw Egg and All, It Works

Ellen Miller

Full Out Formula’s circus act lets the audience decide.

A black and white image of Lucia Dlugoszewski swinging her arms while holding percussion sticks and kneeling in front of a line of wooden blocks. she wears a dress and her expression is focused on the instruments positioned in front of her.
Photo courtesy of Bowerbird
  • Reviews

Erick Hawkins Dance Company in Pure Lucia: Quidditas Suchness

Caitlin Green

Hawkins’ dance creates a language of subtleties, compelling and engaging in its simplicity and intentionality

Aram Aghazarian leans forward onto the support of Alex Torra and five other members of the Sincerity Project cast. Aram’s eyes gaze into the distance. The cast wears everyday clothes and stands in front of the bare tiled wall of FringeArts.
Photo: Johanna Austin
  • Reviews

A Living Archive of Time: Sincerity Project #5

Miryam Coppersmith

A web of expansive relationships, built through loyalty, shared artistic work, and time.

pink backlight, three dancers, left most has right arm up and left arm down, middle has both arms bent upward, right has bent left arm and straight right arm, all in purple polos, two white set pieces frame the image with black curved lines.
Photo: Thomas Choinacky
  • Reviews

i hold your towel just how you like it

desire amaiya

we are spectators in a typically unwatched game.

Photo: Colleen Sirisky
  • Reviews

‘Time of Truth’–A Coming of Age Dance

Rhonda Moore

The entire cast jockeys between individual and collective truths.

Photo: Wide Eyes Studios
  • Reviews

Swimming Together in “Rhythm Bath”

Jonathan Stein

The Mimi Lien installation provides a celestial embrace to the grounded embrace of the dancers.

Photo: Paloma Guzman
  • Interviews

Feminist Latina Dance Making: An Interview with Marlen Puello

Joy-Marie Thompson

“It should be possible to enjoy the same privileges as male artists.”