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FringeArts

Photo: Orpheas Emirzas
  • Reviews

Hoochie in the Front, Coochie in the Back

Jenna Horton

In “Caen Amour,” we drink, move from front to back to front: go ahead, peep.

Photo: Julia Fisher
  • .

What I’m Seeing in this Year’s Fringe

Jonathan Stein

Six must-see shows in this year's Fringe

Illustration by Jenny Kessler
  • .

Fringe Picks: 5 tD Writers on What They’re Seeing this Year and Why

Thomas Choinacky

A little help navigating the Fringe guide.

Illustration by Jenny Kessler
  • Interviews

Digital Fringe: on the Fringe of the Fringe Festival

Jenny Kessler

You can access these Fringe pieces right on your smartphone.

Photo: Bill Hebert
  • Reviews

And Yet We’re Still Here

Julius Ferraro

We don't touch like we once did.

Photo: Subcircle
  • Reviews

Hold Still While We Try to Figure This Out Together

Kirsten Kaschock

The piece exposes its own process, inviting the viewer to ask what it means to do this work.

Photo: Mark Simpson
  • Reviews

Memory, Identity, Fragmented Masculinity

Carolyn Merritt

In the realm of MEN--Olivier Tarpaga's dazzling work.

Photo: Chris Hallock
  • Reviews

Conflicting Ideologies in Mistress of the Maze

Kalila Kingsford Smith

Dancer and fabric artist Sarah Carr offers an interpretation of iconography found in Minoan archeological artifacts.

Photo: Thaddeus Phillips & Steven Dufala
  • Reviews

Existence is Extraordinary

Janna Meiring

Life is extraordinary and magical.

Photo: Johanna Austin
  • Reviews

Feminine Plural: Olive Prince Dance

Rhonda Moore

We are all at once able to see the separate components and the totality of an elusively undefinable quotidian experience.