In Fore-ign/Fore-out, four choreographers explore states of liminality—of how to be between things.
This piece, still new in my body, is already teaching me life lessons on flexibility of all kinds.
CITIZEN melds movement from the African Diaspora with modern dance to question history, heritage, and what it means to belong
“Sanctified. This space is now sanctified.” The energy of the room was palpable, and urgent.
For every action there is an opposite but equal reaction. For every shame, there is a pleasure.
The beings in O Monsters may or may not be human. They function according to rules and laws that I’m not sure we fully grasp.
Xavier announces, “No thing can exist without nothing.”
Our relationship with time, and empty time in particular, is more antagonistic than it has ever been.
I am reminded that dance works more like poetry than like news.