Megan Bridge

Tables and chairs form a “U” shape to the left of the photos frame. One person with brown skin and glasses is visible through the negative space of two onlookers facing away from the camera. Bystanders stand or sit in the distance.
Photo: Miryam Coppersmith
  • Reviews, Write Back Atchas

Realness For the Patrons – Rennie Harris Beautiful Humans Lies: Chapter 4

Noel Price-Bracey

Waiting for the Rhythm and the Funk

Tristan Price plays the cello seated on stage with a black microphone positioned in front of him. He wears black shoes, khaki pants and a white button-down shirt. He looks directly at dancer and his mother, Megan Bridge, who is dancing in the foreground, arching backward with one arm extending above her. Bridge wears a white top and grey cargo pants with sneakers.
Photo: Tyler Kline
  • Reviews

A Mother-Son Duo Exchange Expertise

Caitlin Green

His musicianship paves the way for her play.

Photo: Dorrine Calhoun
  • Reviews

Mother to Son, Son to Mother – Megan Bridge and Tristan Price Celebrate Whistler and Bach

Rhonda Moore

Two nimble performers with a deliciously nuanced sense of timing.

Photo: Johanna Austin
  • Reviews

Jérôme Bel

Emilee Lord

Performance is the most beautiful thing in the world.

Photo: fidget
  • Reviews

Meaningfulness: Process Project in Times of COVID

Rhonda Moore

Performances infused with the reflection and thoughtfulness of lived experience

Photo: Peter Price
  • Reviews

Rendering the Now: Process Project with fidget

Kat J. Sullivan

This duality between divulging and concealing feels fascinating rather than alienating.

Photo: Julia Fisher
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Welcome to the Backyard

Lynn Matluck Brooks

Wherever they are—one or the other—I want to be, I want to see. They carry me, as they carry one another.

Photo: Megan Bridge
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Lessons from the Backyard

Beau Hancock

A dialogue between Megan Bridge and Beau Hancock, on working with Steve Paxton and Lisa Nelson at Mad Brook Farm.

Photo: Johanna Austin
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All We Are

Carolyn Merritt

Dust: evidence of life. Enemy of the domestic goddess. Culprit of hay fever. The stuff we’re all destined for.

Photo: Johanna Austin
  • Reviews

Scratch Night Returns

Ellen Chenoweth

Three moments during Scratch Night stood out in their intensity or departure from predictable performance customs.