Nichole Canuso

Performers Chloe Marie Newton and Rhonda Moore are in motion against a rippling cloth background, overlaid with purple, silver, and white light wearing soft, shear silks. Rhonda's arms stretch out with a delicate, open palm facing downward, the gaze playfully aimed at Chloe who softly touches her own shoulder with her right hand, her back turned slightly to Rhonda, her gaze reverent and slightly downcast.
Photo: Theo Cote

The Space Between Us

Caedra Scott-Flaherty

Nichole Canuso’s work-in-progress promises big and beautiful things.

Photo: Christopher Ash

Unseen Connections at the Philadelphia Museum of Art

Joseph Ahmed

A reimagined Philly dance classic spins webs of connection in the PMA’s New Grit: Art & Philly Now exhibition.

Photo: Johanna Austin

Peeking into the Personal

Sneakers grapples with loss on several levels, interweaving personal grief and the objectification of art.

Photo: Peggy Woolsey

What Do You Want To Lose (Now)?

Maddie Hopfield

The performers’ camaraderie gives the evening the overall feel of an album rather than a collection of disparate singles.

Photo: Lars Jan

Cracking Up In Chaos: Pandaemonium

Lynn Matluck

Nichole Canuso's "Pandaemonium" traverses mind-blowing scale in the course of its one-hour duration.

Photo: Lars Jan

In Conversation with Nichole Canuso

Beau Hancock

There's seeming emptiness, but the more you spend time there you realize how rich it is.

Photo: Peggy Woolsey

An Underground Garden of Connection

Whitney Weinstein

"The task was essentially to create six performances-for-one, but line them up to happen simultaneously, in the same space."

Photo: Jacques-Jean Tiziou

Time Flies, Flows, and Follows: Return Return Departure

Lynn Matluck

Time—as concept, construct, and reality—was engulfed in layers of questions and musings, artifacts and objects, sound and movement.