performance reviews

Douglas Dunn stands wearing a bright yellow mask which covers his eyes. His right arm is extended to his side while his other rests on a wooden chair painted with yellow flowers. He wears a grey vest, red tie, and dark pants--a contrast to dancers Dongri Suh and Janet Charleston who stand behind him weaering flowered garlands around their heads and wear tulle skirts. A video of two waterfalls is projected onto the wall behind them.
Photo: Jacob Burckhardt
  • Reviews

Douglas Dunn’s Post-modern Pastoral

Brendan McCall

An intrepid choreographer examines classical forms through a post-modern lens

The vast white skirt of a female dancer spreads out across the center of the stage, drawn and lifted by dancers concealed beneath it, resembling a giant wave. The dancers are constantly struggling to crawl out from within this undulating mass of soft fabric. With their upper bodies bare, they curl up on the ground, suspended in a state between weightlessness and struggle. The spotlight focuses on the white fabric and the figures at the center, plunging the surrounding space into darkness.
Photo: David Wong
  • Reviews

Bodies Exposed Under Hard Light: Encountering Fables

Yuying Chen

Virginie Brunelle's Fables reveals how bodies resist and transform.