Postmodern Dance

Dancer KJ Holmes, leans onto her left hip, legs folded behind her, and both hands planted on the hard wood floor. She wears a blue t-shirt, white pants, and her grey hair is pulled back from her face. Newspapers are scattered about the floor around her, and she watches the pieces she has just thrown at the camera as they fly away from her. They are blurred by their motion and closeness to the camera.
Photo: Rachel Keane

Serious Play

Brendan McCall

Cathy Weis prioritizes experimentation over commercialism in her “Sundays on Broadway” series.

Douglas Dunn stands wearing a bright yellow mask which covers his eyes. His right arm is extended to his side while his other rests on a wooden chair painted with yellow flowers. He wears a grey vest, red tie, and dark pants--a contrast to dancers Dongri Suh and Janet Charleston who stand behind him weaering flowered garlands around their heads and wear tulle skirts. A video of two waterfalls is projected onto the wall behind them.
Photo: Jacob Burckhardt

Douglas Dunn’s Post-modern Pastoral

Brendan McCall

An intrepid choreographer examines classical forms through a post-modern lens

Photo: Anito Gavino

Footprints of Abstract Dance: a three-part variation

Anito Gavino

Inspired by Jasper Johns' postmodern method of variating art to make more art.

Photo: Emma Cohen

Sassy, Moody, Nasty

Emma Cohen

TikTok has produced a thoroughly postmodern dance technique.

Photo: Kat J. Sullivan

Piecing Together

Kat J. Sullivan

Room/Roof Piece parses notions of distance and closeness, ideas that are more tangible now than ever.

Photo: John Ross

Going Deep: Cunningham in Three Dimensions

Emma Cohen

A 3D film of Cunningham’s life provides a texturally rich environment in which viewers can dwell.