
Through performances spanning seven decades, Martha Graham (1894-1991) introduced a

Through performances spanning seven decades, Martha Graham (1894-1991) introduced a

From the Chrysalis: ayo ohs´ A Minor Relief
How does one begin again after losing everything? How does

For nearly three decades, Richard Move has been interpreting, honoring,

Becoming “Not You” in Action Theater: An Interview with Skye Hughes
Skye Hughes found an anchor in Action Theater (AT) in

Homecoming: Stephen Petronio Company´s Final Season at the Pillow
“Editor’s Note: The writing and editing process for this piece

Approaching the End: Open Rehearsals with Stephen Petronio Company
This February, the Stephen Petronio Company (SPC) announced that their

Movement as Community: Revival 9: Neighborhood Stories
Over two hundred chairs faced the steps to Grant´s Tomb when I

Ankita Sharma’s dhoka/Betrayal/: Militarization and Myth-Making
When I entered JACK’s intimate performance space in Brooklyn for


Trisha Brown: The Joy of Looking Back
While the avant-garde enjoyed a particularly fertile period of experimentation

According to artist and educator Miguel Gutierrez, Super Nothing is a blueprint for

The Mutability of Outdoor Performance: Driscoll’s Oceanic Feeling
Leaving the crowded sidewalks and nonstop advertising of Times Square,
Brendan McCall (he/him) is a performing artist, teacher, and writer. Born in California and based in New York City, he lived in Turkey, Australia, Norway, and France between 2008-2021. He is a staff writer and editor with thINKingDANCE.
Brendan McCall (he/him) is a performing artist, teacher, and writer. Born in California and based in New York City, he lived in Turkey, Australia, Norway, and France between 2008-2021. His award-winning articles have been translated into French, Norwegian, Russian, and Belarusian since 1995. He also freelances for Culturebot, directs for Interzone Films, teaches at the American Academy of Dramatic Arts, performs for danceTactics performance group, and publishes award-winning fiction under a pseudonym. He holds a BFA with Honors in Acting from New York University, a MFA in Dance from Bennington College, and a MPhil in Ibsen Studies (ABT) from University of Oslo.