
Hold Still While We Try to Figure This Out Together
FringeArts hosted several thINKing DANCE writers and guests (see list

Hold Still While We Try to Figure This Out Together
FringeArts hosted several thINKing DANCE writers and guests (see list

2nd floor parochial schoolroom, Southeast Philly.Three large cabinets.On their shelves: folded

In November 2011, science writer John Bohannon delivered a TED talk that

In Ta-Nehisi Coates’s Letter to My Son, he writes, “You are


Montréal’s RUBBERBANDance Group is fifteen years old, and it is

In Fore-ign/Fore-out, four choreographers explore states of liminality—of how to be


Sometimes you do not control the circumstances surrounding your entrance

Letter to the Whirl: The Crowd Circles Round
At thINKingDANCE’s third and final Write Back Atcha event, audience

Write Up to the Edge: Fringe at The Border
On Friday night, thINKingDANCE held its second Write Back atcha

How We Write When We Write About Dance: Ink on the Fringe
After Still Standing You, an hour-long exploration of the (sometimes hard

Writing Together about the Come Together Festival
One of the advantages of a showcase or festival-style summer

A Love Note to RDA (Regional Dance America)
I went to my Central Pennsylvania middle school often with



On Small Forms and Mid-Winter Desperation: A Primer
* Mama, may I have more Kleinkunst? That sounds dirty. It

Eyes, Hands, Seeds–Shedding Light On Process
When research scientists present their initial findings to other scientists


What is Necessary to Replace Any Substance
In Tender Buttons, her book of intensely modernist (and some would say

Artifact: 1. that which is made from/out of art, 2. evidence of what came before.
In Pennsylvania Ballet’s premiere performance of William Forsythe’s Artifact Suite—a redux


Ellie Goudie-Averill and Pamela Vail began their joint program with

And He Danced: A Review of Lynn Matluck Brooks’s John Durang: Man of the American Stage
America’s past became present for me in stages. At age


Sung and Unsung: Courtyard DANCERS at the Bride
Face, hands, voice, rhythm(s). Unsung Arrivals by the Courtyard DANCERS
Notes from Two Days with Suzanne Carbonneau
Kirsten’s notes from our weekend with Suzanne Carbonneau, unedited, give

Instructions: bring together audiences familiar with different art forms, and

What Have We Done?—“Beyond the Bones Revisited (2002/12)”
Branches are the dead parts of the tree, its skeletal

A Lily Lilies: Leah Stein, Josey Foo and the Desert of Page
Last year, I traveled to Washington D.C. for a writer’s conference and

Flotation Devices and Other Sex Toys
I lack external genitalia; today, this relieves me. Were I
Resolution: to move more. For the past three years, I’ve been
Meet the Writers: Kirsten Kaschock
What are you most excited to cover through TD?I want
Partial Glossary: Material Construction at the Kelly Writer’s House
Artist-process talk — an event (this one at the Kelly Writer’s
Chouinard #4: Instructed by Creature
To describe my experience with Compagnie Marie Chouinard, I will

Koresh Scores: Twenty Years and Counting
Twenty years of providing work for dancers is grounds enough

Women With Saying Power: The Requisite Movers
During the after-show Q&A, the movement artists and choreographers calling
Kirsten Kaschock is the author of three books of poetry: The Dottery, A Beautiful Name for a Girl, and Unfathoms. Sleight–her novel about performance, artistic responsibility, and atrocity–is available from Coffee House Press. She is currently on faculty at Drexel University. She is a former staff writer and Editor-in-Chief with thINKingDANCE.