Editor's Note: Love It or Loathe ItThe first Tuesday of each month thINKingDANCE writers convene to work out assignments and to focus on aspects of the dance writer’s craft. November was “bring in a piece of dance writing you love or loathe” month. Here’s some of what we came up with:
In the not-so-inspiring category were “bloated, un-specific, wordy and oft-inaccurate “pieces. (Gee, our critics aren’t critical, are they?). One writer brought in Arlene Croce’s famous New Yorker diatribe against Bill T. Jones’ Still/Here where she categorically refused to watch the piece she saw as being “victim art.” The fallout from that episode, where Croce wrote without seeing the work, was huge. The counterweight on the table was Greg Tate’s take on Still/Here in a 1995 Vibe Magazine– an inquiring and respectful summation, stating the value of the work itself and Jones’ place in the broader culture.
Great metaphor, historical placement, delineating an aesthetic, nuanced appreciation, critique of the performing, description of the physical action--and all that is in these four sentences.
So, fortified, and with lots more docs shared online for further reading, TD writers returned to their notebooks and laptops. Onward.
By Lisa Kraus
November 17, 2011