PS #13: Continuity vs. Change

Some choreographers make work that’s radically different show to show. Some make what looks like the same dance  over and over with different costumes, music or settings. Some move from one mode to the other. How do you think continuity and change is best thought about in the course of an artist’s career? Examples?

Share this article

PARTNER CONTENT

Keep Reading

  • Interviews

The Epstein Files and Redacted Bodies 

Megan Mizanty

An interview with choreographer Matthew Steffens on ResistDance vs. Redaction

In a close up photograph, ten dancers in spaghetti-strap leotards lean in, their eyes covered by a sheer black cloth. The middle dancer, closest to the camera, is mid-scream. Behind the dancer is the newly engraved building signage reading “The Donald J. Trump and John F. Kennedy Center.” Some words are covered by the dancers’ heads.
Photo: Courtesy of The First Amendment Troop
  • Interviews, thINKpieces

Afterglow: The Dancers of KYL/D Take a Final Bow

E. Wallis Cain Carbonell

‘Anticipating something and hoping it will be everything you wished for’

Two dancers in long-sleeved red tops face away from us with arms round one another’s waists as their free arms reach outwards. There are singular, red feathers extending from their heads many feet into the upwards space. To the left of the duet, we see a large Taiko drum.
Photo: Mike Hurwitz