Photo: Bill Hebert
Photo: Bill Hebert

Illuminating Hidden Histories: Anne-Marie Mulgrew and Dancers Company

Patricia Graham

Dear Ann, 

I finally arrived from the Wilds back to civilization. What I do miss most of all….girls like you, wine, laughter and music. See you shortly, (maybe). Say hello to your family. As they say in Deutsch, auf Wiedersehen. 

Love, Bob  

This is an excerpt from a letter written by choreographer Anne-Marie Mulgrew’s father to her mother in 1944, now a part of her latest dance theater work The Keepers. His participation and the discovery of thirty letters he wrote from Europe is just one of the surprising results of a two-year line of inquiry into personal storytelling. The process began with Mulgrew’s 2012 work Dig and grew to include a monthly workshop Mulgrew held for the past year with seniors. She helped them to explore their memories- through movement, words and sound. Reflecting on the experience, she remarked, “I’ve never been a big story person. This is a departure for me. The workshops provided a platform, an opportunity for others to think about their lives, what kind of memories they keep and how important it is to share them.”  Fascinated by the living history each person embodied, she worked with her dancers to create the emotional atmosphere of their stories. The resulting evening-length piece, The Keepers, features a collaboration with video artist Carmella Vassar-Johnson.

Photo: Bill Hebert

Photo: Anne-Marie Mulgrew (still from video by Carmella Vassar-Johnson)

  Photo: Bill Hebert

Photo: Bill Hebert

Photo: Bill Hebert

Photo: Bill Hebert

Photo: Bill Hebert

Photo: Anne-Marie Mulgrew (still from video by Carmella Vassar-Johnson)

The Keepers, Anne-Marie Mulgrew and Dancers Company, Friday, May 31 at 7:30, Saturday, June 1 at 7:30, Sunday, June 2 at 3:00, Christ Church Neighborhood House, 20 N. American Street,  215-462-7720, www.annemariemulgrewdancersco.org, tickets:  http://www.brownpapertickets.com/event/363208

Share this article

Patricia Graham

Patricia Graham seeks the indelible center of cultural joy, following an eclectic path of interest in that pursuit; curiously seeking other travelers; seriously selecting threads. Her inquiries are presently couched in teaching dance appreciation and other circuitous endeavors. She is a former staff writer with thINKingDANCE.

PARTNER CONTENT

Keep Reading

The Stories We Steal and the Stories We Make

Zoe Farnsworth

A rich performance of Kea Tawana’s life and how constructing reality can be both advantageous and destructive.

Awash in a red light, three femme presenting performers dressed in black hold a boat constructed out of tape and twigs. They are putting two halves of it together: one looks like several apartment buildings all together and the bottom is a clearer boat shape. An oversized coat hangs in the background, along with many different puppets from previous moments scattered along the back of the stage.
Photo: REC Philly

Afrofusion, Bempa’s Way

Zoe Farnsworth

“Untitled” explodes with queer black joy as Bempa gives the audience his own version of a good time.

A black and white bust shot of Bempa looking forwards with a serene and powerful expression. He is black and wears his hair short cut in a fade. His chest juts out forwards proudly in his collared cross hatched shirt.
Photo: Vessel Day