P.S. # 33: Living on the Fringe

It’s that time of year again! FringeArts is bursting at the seams, jam packed with performances. What are you excited about? What have you seen? What do you recommend?

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The Sand Is Alive

Brendan McCall

Dance, glass, and music invite a deeper contemplation of sand

A woman is in a headstand, while a man stands nearby with his arms raised in shadow to her right. Both wear tan, form-fitting clothes with strips of white plastic running along the outside of their limbs and backs. On the white walls are unusual glass sculptures that look like waterways.
Photo: Natalie Moore

Cryptic Precision: On Vanessa Kamp’s ‘Houndstooth’

Mang Su

'Houndstooth' unleashes the subversive power of parody with bewildering precision.

Seen from a low angle against a black background, a performer wears black blazer and bright red shorts with a black drawstring. Crinkled yellow cellophon covers their mouth and cascades down their chest, with a loose flap jutting to the left. They look down toward the camera, one hand raised near their abdomen and the other hanging beside their thigh.
Photo: Pep Casadevall

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