P.S. # 33: Living on the Fringe

It’s that time of year again! FringeArts is bursting at the seams, jam packed with performances. What are you excited about? What have you seen? What do you recommend?

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Unscored Improvisation, H-O-T or Not?

Xander Cobb

Does dance need meaning to be meaningful?

Three people sit in an oblique triangle that fills the frame. To the left, a musician, Aabeizer, sits on a black bench in carpenter jeans and a dark t-shirt. His eyes are closed and his feet bare. He moves his hands around a circular plate and wooden dowels that extend from a wood board he holds against his chest. To the right, a saxophonist, Bhob Rainey, sits on a folding black chair in a black cardigan and grey pants, blowing into the mouthpiece and pressing the keys. Between them, a person with short red curls, Kayliani Sood, crosses their legs on a white stool, sitting higher than the musicians beside her. They wear brown shorts over grey pants and a black t-shirt with a blue square patch in the center. She rests one hand on her knee, and the other over their forearm, closes her eyes and tilts their head pensively to the right.
Photo: Loren Groenendaal
  • News

thINKingDANCE hosts “Write Back Atcha” series at ArtPhilly’s What Now Festival

Noel Price-Bracey
Participants in a Write Back Atcha talk together and write in a theater lobby. On top of the image, the logos for Art Philly's What Now Festival and thINKingDANCE's Write Back Atcha series are displayed.