Letter to the Editor: Message from Steve (Paxton) about Bob (Ashley)

Thank you, Megan. I gather your “Dust” is still accumulating, and I wish you all the best with it. Ashley had the odd talent of remaining still as his music and text swirled. It was excellent to dance to “Private Parts” for 30 years. It is a woven story of delicious language, but when I hear it now, I recognize its flavor. Not mood or musicality or prosidy or poetry or orchestration or structure, but something fundamental and immediate and only his. A crankiness developed for the entertainment of those of us who can appreciate crankiness. I think you caught him well in this appreciation, especially the use of the woman’s thoughts with which you end. The final innocuous question morphs into the fundamental question with his departure, and so his texts worked; his voice was the most casual drawl of current philosophers/mystics/sages. Whatever. — Steve Paxton

Share this article

PARTNER CONTENT

Keep Reading

About Face: Yellowface and the Cost of Looking Away

Lauren Berlin

To love ballet is to let it evolve

Georgina Pazcoguin, her short black bob framing her face, wears a white bodysuit decorated with blue and red flowers and holds a classical Chinese fan. Her eyes are defined with lined makeup as she extends into an elongated ballet pose.
Photo: Pentalina Productions LLC

By the Way, You Can Laugh

Rachel DeForrest Repinz

Brian Golden on disability, play, and humor as access.

A group of dancers move together in a clump holding toilet plungers, some of which are donning messy black wigs or flightlights-as-eyes.
Photo: Jenna Maslechko