P.S. 38: Copyright and Choreography

These are on people’s minds following Philly’s recent Remix Festival. How do artists navigate issues of appropriation, especially with readily available internet content (remember Beyoncé vs. De Keersmaeker http://m.youtube.com/watch?v=PDT0m514TMw)? Is copyright an outdated concept? And as Claudia LaRocco wrote on Arforum on March 24: “Who owns a tradition, a technique? How can you translate it? Must you be on your knees to pay homage?” When is it OK to borrow art?

Share this article

PARTNER CONTENT

Keep Reading

  • Reviews

Sarswela: Recovering from Twisted Tongues

E. Wallis Cain Carbonell

‘Find your way back… follow my hum.’

Image Description: Four figures, shrouded in gauzy silver, turquoise, crimson and beige sheer fabric atop their salakots (Asian-Strykers conical hats), crouch forward gesturing to the Earth. Surrounded by blackness, they stand, casting shadow on a light grey marley floor. There is a long piece of white plastic sheeting strewn across the floor in the foreground.
‘Find your way back… follow my hum.’
  • Reviews

When The Inner Critic Meets A Little Delusion

Caitlin Green

Kirner exposes the quintessential stage dancers’ inner monologue.

Image description: an image of a dancer in fifth position on pointe, wearing a strapless leotard and skirt is copied three times over a black background with large bold lettering that reads “I don’t dance”.