In the “Presented Fringe” part of the 2014 Fringe Festival, four of the twelve events are dance. Do you view this as under-representing dance in comparison to past years?

Share this article

PARTNER CONTENT

Keep Reading

It would seem we need each other

Emilee Lord

The GREEF of Christina Gelsone at Baryshnikov Arts Center

Tissues are scattered all over the black box theater floor. Upstage a white wire waste paper basket sits upside down and empty. On a huge pile of tissues lies a woman in black with yellow crocs, yellow sleeves sticking out of her coat, a yellow scarf and white and yellow pompom knit hat. She stares up at the ceiling. She has a pair of red crocs on her chest.
Photo: Maria Baranova

When Tradition Takes the Stage, I Stop to Watch

Ziying Cui

Two Chinese dance dramas make me reconsider what I call “my culture.”

Five dancers in Awakening Lion hold ornate lion heads against a dark stage. White, blue, gold, and red heads form an arc above a black lion head held by one of the story’s heroes (a lion dance champion) in a deep side lunge at the front. The performers wear layered, earth-toned tunics with wrapped forearms and lower legs.
Photo: Guangdong Song and Dance Theatre