Photo: Lisa Kraus
Photo: Lisa Kraus

Raphstravaganza!

Lisa Kraus

In the midst of Fringe Festival abundance, Raphael Xavier’s circus-like extravaganza animated the heart of the city—City Hall’s Courtyard—for a full afternoon. A student fair pumped music onto an adjacent plaza and Philadelphians at leisure strolled in the summery heat. On multiple playing areas, acts of physical strength and daring wowed the crowd.

Acrobat/dancer Rik Daniels.

The flips and flops in Mathieu Bolillo’s slack line performance were more spectacular than my photos show, but you can see his hair flying and imagine how it would be to tumble onto the concrete below (which he did gracefully just once).

A slackline was set up for ordinary folks to try out.

LaMonte Good danced on his hoverboard too.

We could all dance to music from DJ Sonny James between acts.

A large-cast fable orchestrated by Xavier played three times during the six hour event. (Unfortunately my Fringe “dance card” prevented my being there to witness.) Members of his cast were extravagantly painted.

And others attending took advantage of face painting on offer.

Raphstravaganza by Raphael Xavier, Philadelphia City Hall Courtyard, September 10. http://fringearts.com/event/raphstravaganza-kinetic-experience/

All photos by Lisa Kraus

Share this article

Lisa Kraus

Lisa Kraus’s career has included performing with the Trisha Brown Dance Company, choreographing and performing for her own company and as an independent, teaching at universities and arts centers, presenting the work of other artists as Coordinator of the Bryn Mawr College Performing Arts Series, and writing reviews, features and essays on dance for internet and print publication. She co-founded thINKingDANCE and was its director and editor-in-chief from 2011-2014.

PARTNER CONTENT

Keep Reading

Science and Dance in Creative Conversation

Jen George

Science in partnership with dance yields collaboration and contrasting forces.

Two dancers wear black costumes, and the lighting is low and shadowy. One dancer lays face-up on the stage with arms softly outstretched to the sides and their chest lifted off the floor, legs bending at the knees. The other dancer sits, gazing downwards at them. Dancers: Sayer Mansfield, Marla Phelan
Photo: Tim Richardson

The West Did Not Make Me

ankita

An Interview with nora chipaumire

nora chipaumire, a Black African woman takes the stage in 100% POP with her collaborator, Shamar Watt, a Black Jamaican man in a black Adidas tracksuit and red-green-yellow, Zimbabwe-flag-colored Nike shoes. As he runs through the frame upstage, backgrounded by a grungy, urban wall, chipaumire captures the camera’s focus as she jumps into the air, one knee tucked up to her chest, the other a foot off the ground. Wearing a ripped white shirt, black track pants, and all-white high tops, chipaumire gazes down at the ground while she leaps up, as if stomping her way back to Earth.
Photo: Ian Douglas