Photo: Take It Away Dance
Photo: Take It Away Dance

A Cadence for the Calm

Whitney Weinstein

Every Sunday during Fringe at Sound Space Performing ArtsTake It Away Dance joins with their house band, The Jazz Tap Quintet, for an afternoon of live-streamed tap and music. On this particular day at A Month of Sundays, David Underwood joined the cast with vocals.

The quintet opened the show, and it didn’t take long to see their liveliness. They shared their own dance: heads bobbed and torsos swayed to the music inside them, which manifested in a soulful sound that made my own body start to jam.

The show description grieves that “quarantine can feel longer than a month of Sundays.” This Sunday had me feeling timeless. I temporarily forgot about the nation’s tragedies and escaped to a place without time and space. As the music lingered, I patted a finger, and my ability to relax grew bigger and bigger. The smoothness of the music encountered a change in tempo when the staccato noises of the tap dancers began.

I sensed hesitation from some of the performers, either unsure of the routine or holding back in improvisational moments. The space was small, and their dancing seemed to reflect their awareness of that. I craved an explosion of sound. The music, in its laid-back nature, overpowered the movers, and the monotony of the movement, at times, was uncomfortable to watch.

It is apparent that these tappers are highly skilled with a solid understanding of and appreciation for the dance form, yet their technique and enthusiasm didn’t often translate far beyond their feet. However, there were enthralling moments of energized synchrony, instances of intensity and power radiating beyond the dancers’ bodies, every atom buzzing with rhythm.

As the hour continued, the pace picked up. The beats layered, becoming more intricate. The dancers’ personalities occasionally gleamed through the choreography, and through their masks, making their complex thumps and strikes more impressive.

This 6-year-old company prides itself on its inclusion of American history through its modern take on tap dance and jazz music. A Month of Sundays did not declare a strong political statement or overemphasize the importance of a major historical event. There were no fancy costumes, no elaborate scenery. Instead, they graciously offered an opportunity to indulge in a concert of quality jazz on a casual Sunday. It was a welcome break and fresh breath from the toxicity that surrounds us.

A Month of Sundays, Take It Away Dance, 2020 Fringe Festival, Sept. 13, 20, 27, Oct. 4.

Share this article

Whitney Weinstein

Whitney H. Weinstein is a dance educator, choreographer, writer, and professional mover. She is an editor and staff writer with thINKingDANCE. Learn more.

PARTNER CONTENT

Keep Reading

Jack and Jill Trudge up the Hill

E. Wallis Cain Carbonell

"No one help me. I’m falling towards wholeness."

Two white women with bright red hair pulled back loosely, wear black pants and tank tops and accentuate the curves of their waists, leaning into their hips and slightly covering their eyes with elbows bent at different angles. They are loosely connected by a thin, red thread and in the background there is a hill constructed of wooden blocks against a white wall. Completing the scene are red galoshes, two picture frames hung above the hill and a large new moon hung from the ceiling.
Photo: Shosh Isaacs

A (Mostly) Moving Romeo & Juliet for Our Times

Caedra Scott-Flaherty

Benjamin Millepied’s Romeo & Juliet Suite uses dance, theater, and film to retell a timeless tale.

David Adrian Freeland Jr., wearing a blue sleeveless top and pants, and Morgan Lugo, wearing a red sleeveless top and pants, kneel facing each other on the red-lit stage. With closed eyes and tilted heads, they touch palms, one arm straight and the other bent by their cheeks.
Photo: Stephanie Berger