All Articles
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“The answer is: You will die, and all will end,” Revlock continues. “You will die and know everything or cease asking.”
- Reviews
Should one talk in couplets or algorithms about Claudio Monteverdi’s opera, L’Orfeo, choreographed and directed by Trisha Bro
- Reviews
At the American Dance Institute in DC, Jane Comfort’s new, untitled work-in-progress makes for glorious people-watching.
- Reviews
Graffito Works’s dancers manifested Lewis’s merged abstraction and figuration, an elusive combination.
- Reviews
Coaction Dance Collective presented work layering spoken word, storytelling, and problem solving.
- Reviews
Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.
- Reviews
The 35th-anniversary concert of New York-based Elisa Monte Dance was both a welcome and a farewell.
- Reviews
Divorced from context, Zaides's movements make the very consequential gestures of settlers, police and army seem mundane.
- Reviews
There is no doubt in my mind that Dance Theatre of Harlem is back.
- Reviews
It was delightful, from the pantomime characters to the virtuosic leads.