All Articles

Lynn Matluck Brooks

In rowboats, kayaks, and dragon boats the audience watched four women balance, swing, and suspend themselves above the waters

Janna Meiring

“Sanctified. This space is now sanctified.” The energy of the room was palpable, and urgent.

Rhonda Moore

BalletX urges classically-trained dancers to new heights and depths of nimbly explorative, bold, and compelling shape-shiftin

Gregory King

Is Shakespeare different when interpreted by the black body?

Lauren Samblanet

Do all dances become palimpsests over time? Overlaid meanings and overlaid bodies...which we, the audience, can never see ful

Lynn Matluck Brooks

On dance, her impact, and racism, "the most glaring, tragic, intransigent issue in every sector of the American landscape."

The context of Balanchine and Beyond makes Trisha Brown’s work gleam. A nod to the events of the day would have made the ball

Scott Rodrigue

Bellows Falls allows story to arise from the concrete poetics of space.

Zornitsa Stoyanova

Issues of identity, race and communication with each other resonated, leaving me with a new hope for dance and its connection

Carolyn Merritt

There is the biography... And there is the universal—the multitudes of a single life, the luck of longevity.