All Articles

Photo: Creative Outlet
  • Reviews

Poem for a Tree

Ellen Chenoweth

Kinetic tree, you mystify me.

Photo: Carlos Avendano
  • Interviews

“Quite Visceral and Quite Unusual”: Adrian Heathfield on “Ally”

Ellen Chenoweth

Janine Antoni, Stephen Petronio and Anna Halprin working in the meeting space between forms.

Photo: Kenneth Mucke
  • Reviews

Diavolo’s Architecture in Motion: Dance With Some Extras!

Gregory King

I will keep Diavolo on my list of must-see entertainment.

Photo: Steven Schreiber
  • Reviews

Seán Curran Company: A Well-Delivered Package of Post-Modernism

Gregory King

Representing nine religions the group performed Tai-Chi in an homage to integration.

Photo: Hallie Martenson
  • .

What Did I Just See? Show No Show as Meta-Performance

Karl Surkan

“The answer is: You will die, and all will end,” Revlock continues. “You will die and know everything or cease asking.”

Photo: Stephanie Berger
  • Reviews

An Astronauts’ Rapacious Night

Patricia Graham

Should one talk in couplets or algorithms about Claudio Monteverdi’s opera, L’Orfeo, choreographed and directed by Trisha Bro

Photo: Liz Lynch
  • Reviews

Shared Topographies, Individual Paths

Meredith Bove

At the American Dance Institute in DC, Jane Comfort’s new, untitled work-in-progress makes for glorious people-watching.

Photo: Denise Guerin
  • Reviews

Off the Wall Processions: Improvisation at PAFA

Jonathan Stein

Graffito Works’s dancers manifested Lewis’s merged abstraction and figuration, an elusive combination.

Photo: Terrell Halsey
  • Reviews

Whole: Without Any Parts Missing

Karl Surkan

Coaction Dance Collective presented work layering spoken word, storytelling, and problem solving.

Photo: Beatriz Schiller
  • Reviews

Taking Flight with Limón

Lynn Matluck Brooks

Pavane’s tight structure reveals the power of constrained form channeling explosive emotion.