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Photo: Matthew Murphy

Elisa Monte Passes the Baton to Tiffany Rea-Fisher

Gregory King

Gregory King interviews Tiffany Rae-Fisher, the new artistic director of Elisa Monte Dance Company

Photo: Scotty Hardwig

Moving Objects

Meredith Bove

Tzveta Kassabova’s double bill "From Somewhere" at Danceplace in this dispatch from D.C.

Photo: Mawiyah Dowd

Choking on Hope

Julius Ferraro

Sam Tower speaks in long, seamless sentences about developing a fantasy world for performance.

Photo: Bill Hebert

The House of BJM

Kirsten Kaschock

But Ballets Jazz Montréal has their front door wide open. It beckons.

Photo: Ian Winter

Philosophy and Choreography Together in SF

Culturebot's Andy Horwitz on Alva Noë as collaborator/performer with Jess Curtis.

Photo: Milo Yeung

Being in Lasso Belly

Jenna Horton

Jenna Horton waxes poetic about Christina Gesualdi's Lasso Belly.

Photo: Yi-Chen Wu

O’Connor in The Kitchen

Rhonda Moore

Through gesture, posture, attitude, sound, and movement, the scene fills with clues that encourage all to connect the dots as

Alvin Ailey American Dance Theater

Shadows, Light, and Inspiration

Roxanne Lyst

Upholding historical repertory while integrating contemporary works is what the Ailey Company does best.

Photo: Shahar Azran

The First Noel … And I Never Missed The Sugar Plum Fairy!

Gregory King

With no party scene or dancing snowflakes, The First Noel offers an alternative narrative to the fairytale of other Christmas

Image: cinemablend.com

The Wiz as a Historical Document

Gregory King

How is The Wiz valued and how is it archived in the sphere of black popular culture?