All Articles

Photo: Ian Douglas

The Color Of The Aged Queer is Pink

Gregory King

It felt personal.

Photo: Marc Van Borstel

Tharp and Race: Four Questions

Gregory King

Seeing Tharp's company, I was curious how she would respond to questions about race, inequality, diversity and inclusion.

Photo: Carlos Avendaño

A Funeral For Five Performances

Ellen Chenoweth

Hopkins asks: How is a performance like a person?

Photo: Kathryn Raines

Interview with The Dance Apocalypse

Karl Surkan

The Dance Apocalypse -- hilarious, outrageous, provocative, and intimate all at once.

Photo: Christopher Duggan

Dancing Detours

Jay Oatis

Los Angeles is infamous for its traffic. The evening of work that LA-based company BODYTRAFFIC presented at the Prince Theater felt congested.

Photo: lds.org

On Not Bowing

Published in collaboration with culturebot.org, John Hoobyar writes about the expectation of bowing or not after the show.

Photo: Ruven Afanador

How to Dance Bach

Lynn Matluck Brooks

The ridiculous and the sublime in Twyla Tharp: 50th Anniversary Tour and De Keersmaeker's Partita 2.

Photo: Gene Pittman

Trisha Brown Revisited

Rhonda Moore

The early '70s pieces remain stridently current, thanks to the timeless quality of Brown’s work.

Photo: Mike Hurwitz

Firestorm

Sara Graybeal

Tablao Philly--an experience of unbridled crescendo, a night that accelerated in vigor, skill, and intensity until the end.

Photo: Herman Sorgeloos

Architectural Tuning

Megan Bridge

Partita 2 asks us not just to note the passing of time, but to participate kinesthetically in time’s ticking.